APRIL Reading

 

April 1865: The Month That Saved America

by  Jay Winik

 

One month in 1865 witnessed the frenzied fall of Richmond, a daring last-ditch Southern plan for guerrilla warfare, Lee’s harrowing retreat, and then, Appomattox. It saw Lincoln’s assassination just five days later and a near-successful plot to decapitate the Union government, followed by chaos and coup fears in the North, collapsed negotiations and continued bloodshed in the South, and finally, the start of national reconciliation.

In the end, April 1865 emerged as not just the tale of the war’s denouement, but the story of the making of our nation.

Jay Winik offers a brilliant new look at the Civil War’s final days that will forever change the way we see the war’s end and the nation’s new beginning. Uniquely set within the larger sweep of history and filled with rich profiles of outsize figures, fresh iconoclastic scholarship, and a gripping narrative, this is a masterful account of the thirty most pivotal days in the life of the United States.

 

April Morning

by Howard Fast

 

When you read this novel about April 19, 1775, you will see the British redcoats marching in a solid column through your town. Your hands will be sweating and you will shake a little as you grip your musket because never have you shot with the aim of killing a man. But you will shoot, and shoot again and again while your shoulder aches from your musket’s kick and the tight, disciplined red column bleeds and wavers and breaks and you begin to shout at the top of your lungs because you are there, at the birth of freedom—you’re a veteran of the Battle of Lexington, and you’ve helped whip the King’s best soldiers.

 

April’s Rain  

by David Johnson

 

Eight years after losing her closest friend, Tucker struggles to keep her rebellious, self-destructive granddaughter under control. When April accidentally kills her boyfriend while defending herself from his attack, Judge Jack helps Tucker ferry her granddaughter away to Spirit Lake, a remote treatment facility in the mountains of eastern Tennessee. There, April creates a false identity, painting herself as a young socialite, and blocks Tucker’s attempts at communication.

Tucker’s grandson March, missing for eight years, is discovered half-dead, having lost both his sight and his memories. As he recovers, March’s blindness persists but fragments of his life reemerge. When he finds himself at Spirit Lake, he runs headlong into his past.

Will Tucker be able to reunite her family after their paths have splintered?

 

Broken April

by Ismail Kadare

 

 

Two destinies intersect in this novel — that of Gjorg, a young mountaineer who has just killed a man in order to avenge the death of his older brother, and who expects to be killed himself in keeping with the code of the highlands; and that of a young couple who have come to study the age-old customs, including the blood feud.

 

April Blood: Florence and the Plot Against the Medici

by Lauro Martines

 

One of the world’s leading historians of Renaissance Italy brings to life here the vibrant–and violent–society of fifteenth-century Florence. His disturbing narrative opens up an entire culture, revealing the dark side of Renaissance man and politician Lorenzo de’ Medici.
On a Sunday in April 1478, assassins attacked Lorenzo and his brother as they attended Mass in the cathedral of Florence. Lorenzo scrambled to safety as Giuliano bled to death on the cathedral floor. April Blood moves outward in time and space from that murderous event, unfolding a story of tangled passions, ambition, treachery, and revenge. The conspiracy was led by one of the city’s most noble clans, the Pazzi, financiers who feared and resented the Medici’s swaggering new role as political bosses–but the web of intrigue spread through all of Italy. Bankers, mercenaries, the Duke of Urbino, the King of Naples, and Pope Sixtus IV entered secretly into the plot. Florence was plunged into a peninsular war, and Lorenzo was soon fighting for his own and his family’s survival.
The failed assassination doomed the Pazzi. Medici revenge was swift and brutal–plotters were hanged or beheaded, innocents were hacked to pieces, and bodies were put out to dangle from the windows of the government palace. All remaining members of the larger Pazzi clan were forced to change their surname, and every public sign or symbol of the family was expunged or destroyed.
April Blood offers us a fresh portrait of Renaissance Florence, where dazzling artistic achievements went side by side with violence, craft, and bare-knuckle politics. At the center of the canvas is the figure of Lorenzo the Magnificent–poet, statesman, connoisseur, patron of the arts, and ruthless “boss of bosses.” This extraordinarily vivid account of a turning point in the Italian Renaissance is bound to become a lasting work of history.

 

April Witch

by Majgull Axelsson

 

“No excuses will do anymore. Time to put my sisters in motion.”
Desiree lies in a hospital bed thinking, dreaming. One of the children born severely disabled in 1950s Sweden and then routinely institutionalized for life– and one of a very few to survive nearly to the century’s end– she cannot walk or talk, but she has other capabilities. Desire e is an April witch, clairvoyant and omniscient, leaving her own body and traveling into the world denied her.
The working-class woman who gave Desire e up at birth took in three foster daughters several years later, and even as adults they know nothing of the existence of their fourth ” sister.” Christina, abused by her psychotic birth mother and burdened by a sense of inferiority, is now a physician; Margareta, the onetime foundling, an astrophysicist who can never manage to complete her dissertation, is as restless and sensual as she was in her youth; and Birgitta, in her day the fastest, sexiest teen queen in town, is now a derelict alcoholic and substance abuser.
In spite of her physical disabilities, Desire e possesses tremendous intelligence, and she observes the world around her with great acumen. She has developed a very special relationship with her primary care physician, Dr. Hubertsson, who realizes that she could and should know something about her own background. Unbeknownst to him, she goes on to make supernatural use of this information.
Sensing that her own time is drawing to a close, Desire e also feels that one of the others has lived the life that should have been hers. One day, each of the three women– Christina, Margareta, Birgitta– receives a mysterious letter that inspires her to examine her past and her present, setting into motion a complex fugue of memory, regret, and confrontation that builds to a shattering climax.
April Witch created a furor upon its original publication in Sweden, where it was an immense bestseller. Addressing themes of mother-daughter relationships, competition between women, and the failures of Sweden’s postwar welfare state, it is foremost a thrillingly written and fascinating story.

 

BOOKS: President Obama’s Secret Survival Strategy

 

President Obama in the Oval Office in 2012. Credit Damon Winter/The New York Times

President Obama in the Oval Office in 2012. Credit Damon Winter/The New York Times

On January 16, 2017 there appeared in the New York Times two articles giving us insight as to how important books and reading have been to the 44th President of the United States.  Here’s a link to the article and the text of the interview transcript when Michiko Kakutani interviewed him in person.  President recently gave one of his daughter’s a Kindle pre-loaded with books he felt were of great importance for her to read.

Obama’s Secret to Surviving the White House Years: Books

https://nyti.ms/2jP8PuI

President Obama in the Oval Office on Friday during an interview with Michiko Kakutani, the chief book critic for The New York Times. Credit Doug Mills/The New York Times

President Obama in the Oval Office on Friday during an interview with Michiko Kakutani, the chief book critic for The New York Times. Credit Doug Mills/The New York Times

https://nyti.ms/2iCrYmb

Transcript: President Obama on What Books Mean to Him

Michiko Kakutani, the chief book critic for The New York Times, interviewed President Obama about literature on Friday at the White House. Here are excerpts from the conversation, which have been edited and condensed.

These books that you gave to your daughter Malia on the Kindle, what were they? Some of your favorites?

I think some of them were sort of the usual suspects, so “The Naked and the Dead” or “One Hundred Years of Solitude,” I think she hadn’t read yet.

Then there were some books I think that are not on everybody’s reading list these days, but I remembered as being interesting, like “The Golden Notebook” by Doris Lessing, for example. Or “The Woman Warrior,” by Maxine [Hong Kingston].

Part of what was interesting was me pulling back books that I thought were really powerful, but that might not surface when she goes to college.

Have you had a chance to discuss them with her?

I’ve had the chance to discuss some. And she’s interested in being a filmmaker, so storytelling is of great interest to her. She had just read “A Moveable Feast.” I hadn’t included that, and she was just captivated by the idea that Hemingway described his goal of writing one true thing every day.

What made you want to become a writer?

I loved reading when I was a kid, partly because I was traveling so much, and there were times where I’d be displaced, I’d be the outsider. When I first moved to Indonesia, I’m this big, dark-skinned kid that kind of stood out. And then when I moved back from Indonesia to Hawaii, I had the manners and habits probably of an Indonesian kid.

And so the idea of having these worlds that were portable, that were yours, that you could enter into, was appealing to me. And then I became a teenager and wasn’t reading that much other than what was assigned in school, and playing basketball and chasing girls, and imbibing things that weren’t very healthy.

I think all of us did.

Yeah. And then I think rediscovered writing and reading and thinking in my first or second year of college and used that as a way to rebuild myself, a process I write about in “Dreams From My Father.”

That period in New York, where you were intensely reading.

I was hermetic — it really is true. I had one plate, one towel, and I’d buy clothes from thrift shops. And I was very intense, and sort of humorless. But it reintroduced me to the power of words as a way to figure out who you are and what you think, and what you believe, and what’s important, and to sort through and interpret this swirl of events that is happening around you every minute.

And so even though by the time I graduated I knew I wanted to be involved in public policy, or I had these vague notions of organizing, the idea of continuing to write and tell stories as part of that was valuable to me. And so I would come home from work, and I would write in my journal or write a story or two.

The great thing was that it was useful in my organizing work. Because when I got there, the guy who had hired me said that the thing that brings people together to have the courage to take action on behalf of their lives is not just that they care about the same issue, it’s that they have shared stories. And he told me that if you learn how to listen to people’s stories and can find what’s sacred in other people’s stories, then you’ll be able to forge a relationship that lasts.

But my interest in public service and politics then merged with the idea of storytelling.

What were your short stories like?

It’s interesting, when I read them, a lot of them had to do with older people.

I think part of the reason was because I was working in communities with people who were significantly older than me. We were going into churches, and probably the average age of these folks was 55, 60. A lot of them had scratched and clawed their way into the middle class, but just barely. They were seeing the communities in which they had invested their hopes and dreams and raised their kids starting to decay — steel mills had closed, and there had been a lot of racial turnover in these communities. And so there was also this sense of loss and disappointment.

And so a bunch of the short stories I wrote had to do with that sense, that atmosphere. One story is about an old black pastor who seems to be about to lose his church, his lease is running out and he’s got this loyal woman deacon who is trying to buck him up. Another is about an elderly couple — a white couple in L.A., — and he’s like in advertising, wrote jingles. And he’s just retired and has gotten cranky. And his wife is trying to convince him that his life is not over.

So when I think back on what’s interesting to me, there is not a lot of Jack Kerouac, open-road, young kid on the make discovering stuff. It’s more melancholy and reflective.

Was writing partly a way to figure out your identity?

Yes, I think so. For me, particularly at that time, writing was the way I sorted through a lot of crosscurrents in my life — race, class, family. And I genuinely believe that it was part of the way in which I was able to integrate all these pieces of myself into something relatively whole.

People now remark on this notion of me being very cool, or composed. And what is true is that I generally have a pretty good sense of place and who I am, and what’s important to me. And I trace a lot of that back to that process of writing.

Has that continued to be so in the presidency?

Not as much as I would have liked. I just didn’t have time.

But you keep some form of a journal?

I’ve kept some, but not with the sort of discipline that I would have hoped for. The main writing that I’ve done during the presidency has been my speeches, the ones at least that were important to me.

How has the speechwriting and being at the center of history and dealing with crises affected you as a writer?

I’m not sure yet. I’ll have to see when I start writing the next book. Some of the craft of writing a good speech is identical to any other good writing: Is that word necessary? Is it the right word? Is there a rhythm to it that feels good? How does it sound aloud?

I actually think that one of the useful things about speechwriting is reminding yourself that the original words are spoken, and that there is a sound, a feel to words that, even if you’re reading silently, transmits itself.

So in that sense, I think there will be some consistency.

But this is part of why it was important to pick up the occasional novel during the presidency, because most of my reading every day was briefing books and memos and proposals. And so working that very analytical side of the brain all the time sometimes meant you lost track of not just the poetry of fiction, but also the depth of fiction.

Fiction was useful as a reminder of the truths under the surface of what we argue about every day and was a way of seeing and hearing the voices, the multitudes of this country.

Are there examples of specific novels or writers?

Well, the last novel I read was Colson Whitehead’s “The Underground Railroad.” And the reminder of the ways in which the pain of slavery transmits itself across generations, not just in overt ways, but how it changes minds and hearts.

It’s what you said in your farewell address about Atticus Finch, where you said people are so isolated in their little bubbles. Fiction can leap —

It bridges them. I struck up a friendship with [the novelist] Marilynne Robinson, who has become a good friend. And we’ve become sort of pen pals. I started reading her in Iowa, where “Gilead” and some of her best novels are set. And I loved her writing in part because I saw those people every day. And the interior life she was describing that connected them — the people I was shaking hands with and making speeches to — it connected them with my grandparents, who were from Kansas and ended up journeying all the way to Hawaii, but whose foundation had been set in a very similar setting.

And so I think that I found myself better able to imagine what’s going on in the lives of people throughout my presidency because of not just a specific novel but the act of reading fiction. It exercises those muscles, and I think that has been helpful.

And then there’s been the occasion where I just want to get out of my own head. [Laughter] Sometimes you read fiction just because you want to be someplace else.

What are some of those books?

It’s interesting, the stuff I read just to escape ends up being a mix of things — some science fiction. For a while, there was a three-volume science-fiction novel, the “Three-Body Problem” series —

Oh, Liu Cixin, who won the Hugo Award.

— which was just wildly imaginative, really interesting. It wasn’t so much sort of character studies as it was just this sweeping —

It’s really about the fate of the universe.

Exactly. The scope of it was immense. So that was fun to read, partly because my day-to-day problems with Congress seem fairly petty — not something to worry about. Aliens are about to invade. [Laughter]

There were books that would blend, I think, really good writing with thriller genres. I mean, I thought “Gone Girl” was a well-constructed, well-written book.

I loved that structure.

Yeah, and it was really well executed. And a similar structure, that I thought was a really powerful novel: “Fates and Furies,” by Lauren Groff.

I like those structures where you actually see different points of view.

Which I have to do for this job, too. [Laughter]

Have there been certain books that have been touchstones for you in these eight years?

I would say Shakespeare continues to be a touchstone. Like most teenagers in high school, when we were assigned, I don’t know, “The Tempest” or something, I thought, ‘My God, this is boring.’ And I took this wonderful Shakespeare class in college where I just started to read the tragedies and dig into them. And that, I think, is foundational for me in understanding how certain patterns repeat themselves and play themselves out between human beings.

Is that sort of comforting?

It gives me a sense of perspective. I think Toni Morrison’s writings — particularly “Song of Solomon” is a book I think of when I imagine people going through hardship. That it’s not just pain, but there’s joy and glory and mystery.

I think that there are writers who I don’t necessarily agree with in terms of their politics, but whose writings are sort of a baseline for how to think about certain things — V. S. Naipaul, for example. His “A Bend in the River,” which starts with the line, “The world is what it is; men who are nothing, who allow themselves to become nothing, have no place in it.” And I always think about that line, and I think about his novels when I’m thinking about the hardness of the world sometimes, particularly in foreign policy, and I resist and fight against sometimes that very cynical, more realistic view of the world. And yet, there are times where it feels as if that may be true.

So in that sense, I’m using writing like that as a foil or something to debate against.

I’ve read that Lincoln loved Shakespeare his whole life, but when he was dealing with the Civil War, reading the history plays helped give him solace and perspective.

Lincoln’s own writings do that. He is a very fine writer.

I’d put the Second Inaugural up against any piece of American writing — as good as anything. One of the great treats of being president is, in the Lincoln Bedroom, there’s a copy of the Gettysburg Address handwritten by him, one of five copies he did for charity. And there have been times in the evening when I’d just walk over, because it’s right next to my office, my home office, and I just read it.

And perspective is exactly what is wanted. At a time when events move so quickly and so much information is transmitted, the ability to slow down and get perspective, along with the ability to get in somebody else’s shoes — those two things have been invaluable to me. Whether they’ve made me a better president, I can’t say. But what I can say is that they have allowed me to sort of maintain my balance during the course of eight years, because this is a place that comes at you hard and fast and doesn’t let up.

Is there some poem or any writing or author that you would turn to, say, after the mass killings in Newtown, Conn., or during the financial crisis?

I think that during those periods, Lincoln’s writings, King’s writings, Gandhi’s writings, Mandela’s writings — I found those particularly helpful, because what you wanted was a sense of solidarity. During very difficult moments, this job can be very isolating. So sometimes you have to hop across history to find folks who have been similarly feeling isolated. Churchill’s a good writer. And I loved reading Teddy Roosevelt’s writing. He’s this big, outsize character.

Have you read a lot of presidential biographies?

The biographies have been useful, because I do think that there’s a tendency, understandable, to think that whatever’s going on right now is uniquely disastrous or amazing or difficult. And it just serves you well to think about Roosevelt trying to navigate World War II or Lincoln trying to figure out whether he’s going to fire [George B.] McClellan when Rebel troops are 20, 30, 40 miles away.

I watched some of the civil-rights-movement documentary mini-series “Eyes on the Prize” after the election.

It was useful.

You do see how far we’ve come, and in the space of my lifetime.

And that’s why seeing my daughters now picking up books that I read 30 years ago or 40 years ago is gratifying, because I want them to have perspective — not for purposes of complacency, but rather to give them confidence that people with a sense of determination and courage and pluck can reshape things. It’s empowering for them.

What books would you recommend at this moment in time, that captures this sense of turmoil?

I should probably ask you or some people who have had time to catch up on reading. I’ll confess that since the election, I’ve been busier than I expected. So one of the things I’m really looking forward to is to dig into a whole bunch of literature.

But one of the things I’m confident about is that, out of this moment, there are a whole bunch of writers, a lot of them young, who are probably writing the book I need to read. [Laughter] They’re ahead of me right now. And so in my post-presidency, in addition to training the next generation of leaders to work on issues like climate change or gun violence or criminal justice reform, my hope is to link them up with their peers who see fiction or nonfiction as an important part of that process.

When so much of our politics is trying to manage this clash of cultures brought about by globalization and technology and migration, the role of stories to unify — as opposed to divide, to engage rather than to marginalize — is more important than ever.

There’s something particular about quieting yourself and having a sustained stretch of time that is different from music or television or even the greatest movies.

And part of what we’re all having to deal with right now is just a lot of information overload and a lack of time to process things. So we make quick judgments and assign stereotypes to things, block certain things out, because our brain is just trying to get through the day.

We’re bombarded with information. Technology is moving so rapidly.

Look, I don’t worry about the survival of the novel. We’re a storytelling species.

I think that what one of the jobs of political leaders going forward is, is to tell a better story about what binds us together as a people. And America is unique in having to stitch together all these disparate elements — we’re not one race, we’re not one tribe, folks didn’t all arrive here at the same time.

What holds us together is an idea, and it’s a story about who we are and what’s important to us. And I want to make sure that we continue that.

I know you like Junot Díaz’s and Jhumpa Lahiri’s books, and they speak to immigration or the American Dream.

I think Lahiri’s books, I think Díaz’s books, do speak to a very particular contemporary immigration experience. But also this combination of — that I think is universal — longing for this better place, but also feeling displaced and looking backwards at the same time. I think in that sense, their novels are directly connected to a lot of American literature.

Some of the great books by Jewish authors like Philip Roth or Saul Bellow, they are steeped with this sense of being an outsider, longing to get in, not sure what you’re giving up — what you’re willing to give up and what you’re not willing to give up. So that particular aspect of American fiction I think is still of great relevance today.

 

Maine’s Most Wanted

What do Mainer’s want in August (aside from a quiet place away from the crowds to enjoy the fleeting beauty that is summer in Maine?) From libraries they want books and DVDs, music CDs and graphic novels. Below is a list of the top holds in a variety of categories, so get your name on the list soon!

Books
1)      Widowmaker (Doiron)
2)      A Great Reckoning (Penny) *
3)      The Black Widow (Silva)
4)      Harry Potter and the Cursed Child (Thorne/Rowling)
5)      Truly Madly Guiltly (Moriarty)
6)      A Man Called Ove (Koch)
7)      Before the Fall (Hawley)
8)      Here’s to Us (Hilderbrand)
9)      Barkskins (Proulx)
10)   Bullseye (Patterson)
11)   Crisis of Character (Byrne)
12)   Sweet Tomorrows (Macomber)
13)   Insidious (Coulter) *
14)   Smoother Operator (Woods)
15)   Heroes of the Frontier (Eggers)
16)   White Trash (Isenberg)
17)   Belgravia (Fellowes)
18)   Wired (Garwood) *
19)   Apprentice in Death (Robb) *
20)   Curious Minds (Evanovich) *

 

Audiobook
1)      Before the Fall (Hawley)
2)      Barkskins (Proulx)
3)      Lilac Girls (Kelly)
4)      The Black Widow (Silva)
5)      Truly Madly Guiltily (Moriarty)
6)      Alexander Hamilton (Chernow)
7)      Among the Wicked (Castillo)
8)      A Great Reckoning (Penny)
9)      Sapiens (Harari)
10)   Alexander Hamilton (Chernow)

 

Graphic Novels
1)      Monstress Volume 1
2)      The Vision 1
3)      Deadpool  Collection 1
4)      Moon Girl and Devil Dinosaur 1
5)      Black Panther Collection 1
6)      Bombshells vol 2
7)      Marvel Zombies Dead Days
8)      My Little Pony Friends Forever
9)      Preacher 7
10)   LEGO Ninjago, masters of Spinjitzu

DVD
1)      Zootopia
2)      My Big Fat Greek Wedding 2
3)      Hello, My Name is Doris
4)      Batman v. Superman: Dawn of Justice
5)      Whiskey Tango Foxtrot
6)      London Has Fallen
7)      Miracles from Heaven
8)      Allegiant
9)      Gods of Egypt
10)   Triple 9

 

TV Series
1)      House of Cards: Season 4
2)      Vera: Set 6
3)      Rizzoli & Isles: Season 6
4)      Shameless: Season 5
5)      DCI Banks: Season 4
6)      Lost Girls: The Final Chapters
7)      The Magicians: Season 1
8)      Father Brown: Season 3, Part 2
9)      Janet King: Series 1
10)   Haven: The Final Season

 

Music CDs
1)      The Getaway (Red Hot Chili Peppers)
2)      Johannesburg (Mumford & Sons)
3)      I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It (The 1975)
4)      A Moon Shaped Pool (Radiohoead)
5)      Muscle Shoals soundtrack

NoveList’s Best of 2015

The Library’s new display featuring some of NoveList’s best books of 2015. Titles include:

Fantasy:The Mechanical” “The Watchmaker of Filigree Street
Thriller/Suspense: “Little Black Lies” “The Killing Lessons
Science Fiction:Futuristic Violence and Fancy Suits“, “The Water Knife
Fiction:Black River” “Undermajordomo Minor
Historical Fiction:Saint Mazie” “Cleopatra’s Shadows
Horror:The Damned” “A Head Full of Ghosts
Mystery:Badlands” “The Nature of the Beast

Bestof15

2015 Summer Reads

Looking for an engrossing, entertaining or fluffy summer read? Check out some of the titles our patrons have recommended below. Some new, some old, some poignant, others pure entertainment, all noteworthy.

 

“The Meaning of Human Existence”  E.O. Wilson

How did humanity originate and why does a species like ours exist on this planet? Do we have a special place, even a destiny in the universe? Where are we going, and perhaps, the most difficult question of all, “Why?”

In The Meaning of Human Existence, his most philosophical work to date, Pulitzer Prize–winning biologist Edward O. Wilson grapples with these and other existential questions, examining what makes human beings supremely different from all other species. Searching for meaning in what Nietzsche once called “the rainbow colors” around the outer edges of knowledge and imagination, Wilson takes his readers on a journey, in the process bridging science and philosophy to create a twenty-first-century treatise on human existence—from our earliest inception to a provocative look at what the future of mankind portends.

Continuing his groundbreaking examination of our “Anthropocene Epoch,” which he began with The Social Conquest of Earth, described by the New York Times as “a sweeping account of the human rise to domination of the biosphere,” here Wilson posits that we, as a species, now know enough about the universe and ourselves that we can begin to approach questions about our place in the cosmos and the meaning of intelligent life in a systematic, indeed, in a testable way.

Once criticized for a purely mechanistic view of human life and an overreliance on genetic predetermination, Wilson presents in The Meaning of Human Existence his most expansive and advanced theories on the sovereignty of human life, recognizing that, even though the human and the spider evolved similarly, the poet’s sonnet is wholly different from the spider’s web. Whether attempting to explicate “The Riddle of the Human Species,” “Free Will,” or “Religion”; warning of “The Collapse of Biodiversity”; or even creating a plausible “Portrait of E.T.,” Wilson does indeed believe that humanity holds a special position in the known universe.

The human epoch that began in biological evolution and passed into pre-, then recorded, history is now more than ever before in our hands. Yet alarmed that we are about to abandon natural selection by redesigning biology and human nature as we wish them, Wilson soberly concludes that advances in science and technology bring us our greatest moral dilemma since God stayed the hand of Abraham. ~Goodreads

 

“The Birth of Rock and Roll”  Jim Linderman

In “The Birth of Rock and Roll,” Americana collector Jim Linderman has arranged a storyboard of sorts that dramatizes the spirit of rock and roll in its early days-when “a juke-joint with fifty patrons was a big show,” as Linderman writes in his introduction. “A church with fifty congregants was a full house. The annual square dance at the town hall, a rent party, a fish-fry, the honky-tonk piano in the whore house, the union meeting There was no real money in it. A performer was lucky to be fed, get drunk and get laid.” The photographs have little to do with the conventional iconography of the birth of rock and roll: conspicuously absent are pictures of young white men in Memphis, poodle skirts, Alan Freed and Bill Haley’s Brylcream. These photographs instead document and celebrate the pure but indefinable essence of rocking. Ordinary, anonymous men, women and children-some white, some black-are holding guitars and strumming while looking relaxed or frantic, but nearly always blissful. Some of the action takes place in rural fields, some in dance halls, some at civic events, some in living rooms and basements. Wherever there was an urge to make acoustic or electric music-whether to help at a rent party, busk in front of a crowd or testify in the name of Jesus-there was an uncredited photographer there to snap an image, and these are the photographs that comprise Linderman’s fascinating narrative. ~Goodreads

Mistress of the Art of Death (Mistress of the Art of Death, #1)“Mistress of the Art of Death Series”  Ariana Franklin

A chilling, mesmerizing novel that combines the best of modern forensic thrillers with the detail and drama of historical fiction. In medieval Cambridge, England, four children have been murdered. The crimes are immediately blamed on the town’s Jewish community, taken as evidence that Jews sacrifice Christian children in blasphemous ceremonies. To save them from the rioting mob, the king places the Cambridge Jews under his protection and hides them in a castle fortress. King Henry II is no friend of the Jews-or anyone, really-but he is invested in their fate. Without the taxes received from Jewish merchants, his treasuries would go bankrupt. Hoping scientific investigation will exonerate the Jews, Henry calls on his cousin the King of Sicily-whose subjects include the best medical experts in Europe-and asks for his finest “master of the art of death,” an early version of the medical examiner. The Italian doctor chosen for the task is a young prodigy from the University of Salerno. But her name is Adelia-the king has been sent a “mistress” of the art of death. Adelia and her companions-Simon, a Jew, and Mansur, a Moor-travel to England to unravel the mystery of the Cambridge murders, which turn out to be the work of a serial killer, most likely one who has been on Crusade with the king. In a backward and superstitious country like England, Adelia must conceal her true identity as a doctor in order to avoid accusations of witchcraft. Along the way, she is assisted by Sir Rowley Picot, one of the king’s tax collectors, a man with a personal stake in the investigation. Rowley may be a needed friend, or the fiend for whom they are searching. As Adelia’s investigation takes her into Cambridge’s shadowy river paths and behind the closed doors of its churches and nunneries, the hunt intensifies and the killer prepares to strike again.~Goodreads

 

Black River“Black River”  S.M. Hulse

“Reminiscent of Wiley Cash. Her first novel and one of the best things I’ve read in a long time. I got up early this morning just to read this!”
A tense Western and an assured debut, Black River tells the story of a man marked by a prison riot as he returns to the town-and the convict-who shaped him. When Wes Carver returns to Black River, he carries two things in the cab of his truck: his wife’s ashes and a letter from the prison parole board. The convict who held him hostage during a riot, twenty years ago, is being considered for release. Wes has been away from Black River ever since the riot. He grew up in this small Montana town, encircled by mountains, and, like his father before him and most of the men there, he made his living as a Corrections Officer. A talented, natural fiddler, he found solace and joy in his music. But during that riot Bobby Williams changed everything for Wes–undermining his faith and taking away his ability to play.How can a man who once embodied evil ever come to good? How can he pay for such crimes with anything but his life? As Wes considers his own choices and grieves for all he’s lost, he must decide what he believes and whether he can let Williams walk away. ~Goodreads

 

The Nightingale“The Nightingale”  Kristin Hannah

“Awesome!!! WWII in France. The best book I have read in a long time!”

In the quiet village of Carriveau, Vianne Mauriac says goodbye to her husband, Antoine, as he heads for the Front. She doesn’t believe that the Nazis will invade France…but invade they do, in droves of marching soldiers, in caravans of trucks and tanks, in planes that fill the skies and drop bombs upon the innocent. When France is overrun, Vianne is forced to take an enemy into her house, and suddenly her every move is watched; her life and her child’s life is at constant risk. Without food or money or hope, as danger escalates around her, she must make one terrible choice after another.

Vianne’s sister, Isabelle, is a rebellious eighteen-year-old girl, searching for purpose with all the reckless passion of youth. While thousands of Parisians march into the unknown terrors of war, she meets the compelling and mysterious Gäetan, a partisan who believes the French can fight the Nazis from within France, and she falls in love as only the young can…completely. When he betrays her, Isabelle races headlong into danger and joins the Resistance, never looking back or giving a thought to the real–and deadly–consequences.With courage, grace and powerful insight, bestselling author Kristin Hannah takes her talented pen to the epic panorama of WWII and illuminates an intimate part of history seldom seen: the women’s war. The Nightingale tells the stories of two sisters, separated by years and experience, by ideals, passion and circumstance, each embarking on her own dangerous path toward survival, love, and freedom in German-occupied, war-torn France–a heartbreakingly beautiful novel that celebrates the resilience of the human spirit and the durability of women. It is a novel for everyone, a novel for a lifetime. ~Goodreads

 

A Three Dog Life“A Three Dog Life”  Abigail Thomas
“Highly recommended! A great book for people who are caregivers.”
When Abigail Thomas’s husband, Rich, was hit by a car, his brain shattered. Subject to rages, terrors, and hallucinations, he must live the rest of his life in an institu­tion. He has no memory of what he did the hour, the day, the year before. This tragedy is the ground on which Abigail had to build a new life. How she built that life is a story of great courage and great change, of moving to a small country town, of a new family composed of three dogs, knitting, and friendship, of facing down guilt and discovering gratitude. It is also about her relationship with Rich, a man who lives in the eternal present, and the eerie poetry of his often uncanny perceptions. This wise, plainspoken, beautiful book enacts the truth Abigail discovered in the five years since the acci­dent: You might not find meaning in disaster, but you might, with effort, make something useful of it. ~Goodreads

In the Kingdom of Ice: The Grand and Terrible Polar Voyage of the USS Jeannette

“In the Kingdom of Ice: The Grand and Terrible Polar Voyage of the USS Jeannette”  Hampton Sides
New York Times bestselling author Hampton Sides returns with a white-knuckle tale of polar exploration and survival in the Gilded AgeIn the late nineteenth century, people were obsessed by one of the last unmapped areas of the globe: the North Pole. No one knew what existed beyond the fortress of ice rimming the northern oceans, although theories abounded. The foremost cartographer in the world, a German named August Petermann, believed that warm currents sustained a verdant island at the top of the world. National glory would fall to whoever could plant his flag upon its shores.James Gordon Bennett, the eccentric and stupendously wealthy owner of The New York Herald, had recently captured the world’s attention by dispatching Stanley to Africa to find Dr. Livingstone. Now he was keen to re-create that sensation on an even more epic scale. So he funded an official U.S. naval expedition to reach the Pole, choosing as its captain a young officer named George Washington De Long, who had gained fame for a rescue operation off the coast of Greenland. De Long led a team of 32 men deep into uncharted Arctic waters, carrying the aspirations of a young country burning to become a world power. On July 8, 1879, the USS Jeannette set sail from San Francisco to cheering crowds in the grip of “Arctic Fever.”The ship sailed into uncharted seas, but soon was trapped in pack ice. Two years into the harrowing voyage, the hull was breached. Amid the rush of water and the shrieks of breaking wooden boards, the crew abandoned the ship. Less than an hour later, the Jeannette sank to the bottom,and the men found themselves marooned a thousand miles north of Siberia with only the barest supplies. Thus began their long march across the endless ice-a frozen hell in the most lonesome corner of the world. Facing everything from snow blindness and polar bears to ferocious storms and frosty labyrinths, the expedition battled madness and starvation as they desperately strove for survival.With twists and turns worthy of a thriller, In The Kingdom of Ice is a spellbinding tale of heroism and determination in the most unforgiving territory on Earth. ~Goodreads

The Whites“The Whites”  Harry Brandt

The electrifying tale of a New York City police detective under siege-by an unsolved murder, by his own dark past, and by a violent stalker seeking revenge.Back in the run-and-gun days of the mid-1990s, when a young Billy Graves worked in the South Bronx as part of an aggressive anti-crime unit known as the Wild Geese, he made headlines by accidentally shooting a ten-year-old boy while struggling with an angel-dusted berserker on a crowded street. Branded as a loose cannon by his higher-ups, Billy spent years enduring one dead-end posting after another. Now in his early forties, he has somehow survived and become a sergeant in Manhattan Night Watch, a small team of detectives charged with responding to all post-midnight felonies from Wall Street to Harlem. Mostly, his unit acts as little more than a set-up crew for the incoming shift, but after years in police purgatory, Billy is content simply to do his job.
Then comes a call that changes everything: Night Watch is summoned to the four a.m. fatal slashing of a man in Penn Station, and this time Billy’s investigation moves beyond the usual handoff to the day tour. And when he discovers that the victim was once a suspect in the unsolved murder of a twelve-year-old boy-a savage case with connections to the former members of the Wild Geese-the bad old days are back in Billy’s life with a vengeance, tearing apart enduring friendships forged in the urban trenches and even threatening the safety of his family. Razor-sharp and propulsively written, The Whites introduces Harry Brandt-a new master of American crime fiction.~Goodreads

Uttermost Part of the Earth“Uttermost Part of the Earth”  E. Lucas Bridges

Rapturous praise met the publication of Lucas Bridges’ marvelous chronicle of Tierra del Fuego when it first came out in 1947, and that praise has hardly abated these past sixty years, nor has a book been written which supplants Uttermost Part of the Earth as the classic work on Tierra del Fuego and the little-known culture of the now-extinct Fuegian Indians.When the author was born in Tierra del Fuego in 1874, it was truly an unknown land. On the southern coast was the small settlement established by his missionary parents; the rest of it, over 18,000 square miles of mountain, forest, marsh, and lake, was the hunting ground of fierce and hostile tribes. Bridges grew up amongst the coastal Yaghans, learning their language and their ways. In young manhood he made contact with the wild inland Ona tribe, became their friend and hunting companion, and was initiated into the men’s lodge.Surely the New York Times’ critics’s prediction for this book on its first publication has come true: “I have no doubt that Uttermost Part of the Earth will achieve a permanent place in the literature of several subjects: adventure, anthropology, and frontier history.” Indeed it is still the essential work and indispensable introduction for anyone yearning to experience the breathtaking remoteness and stunning landscapes of this far-flung wilderness at the “uttermost part of the earth.” ~Goodreads

Lisa’s Hot Summer Literary Reads for page immersion, not page turning

As an avid literary fiction reader, I am so thrilled with my options available already in 2015, and very excited about a future publication by one of my favorite authors. I warn you, my taste isn’t for everyone. I love deeply philosophical, often experimental, literary writing. These aren’t books one can read in a weekend. They are meant to be savored. They may make an appearance on the NYT Best Seller list, but don’t stay on long. This isn’t all I read.

I love short stories and a good old fashioned character driven novel.

I am also a fan of graphic novels for adults (and some YA), especially graphic adaptations of very dense nonfiction topics such as History or Biography.

 

I also love Irish fiction (Ireland has a rich modern literary scene that rarely makes it over to the US, aside from the classics.

 

 

 

and literary nonfiction and biography (and nonfiction in general)

I am most passionate about philosophical and experimental literary fiction and 2015 has some wonderful offerings. I thought I’d share a few selections from my “Books I Want To Read” list as well as a link to my Pinterest board of the same name.

 

“The Familiar, One Rainy Day in May” by Mark Z. Danielewski

I can’t seem to read a magazine or paper or turn on the radio without hearing something about Mark Danielewski or “The Familiar.” Fans of his “House of Leaves” and “Only Revolutions” understand what they will be getting into with this 880 page, first volume in an anticipated 27-book series.

From Kirkus Reviews:

“Fabulist and avant-gardist Danielewski (House of Leaves, 2000, etc.) embarks upon a long-promised 27-volume fantasia with this sprawling, continent-hopping potpourri.

On its face, this first installment is the story of a girl. And rain. And a “ridiculous dog bed.” And a cat. And then the whole of human civilization and of the human propensity to do wrong while struggling to do right. The storyline is scarcely describable. Think of it this way: what if a prepubescent Leopold Bloom had fallen down a rabbit hole and wound up in Southeast Asia with a Pomona street gang in tow? Young Xanther, bespectacled, mouth full of metal braces, acne-spattered and left-handed, epileptic, self-doubting and sometimes self-hating, is a mess, just as every 12-year-old is a mess. She is also, her doctor assures her, something more: “If I could grant you one certainty, Xanther, one which you could hold on to without dissolving under all your scrutiny, let it just be how remarkable a young girl you are.” So she is: there’s scarcely a thing in this world she’s not interested in and has theories about, spurred on by a brilliantly eccentric dad who’s always talking about engines and the thought of Hermagoras of Temnos, “whoever he was, a rhetor, whatever a rhetor is.” So what does she have to do with an Armenian cabbie, a pidgin-speaking Singaporean, and a Chicano street gang? Ah, that’s the question, one that the reader will be asking hundreds of pages on, tantalized by the glimmerings of answers that peek through rainy calligrams and sentences endlessly nested like so much computer code. Danielewski’s efforts at street-tough dialect verge into parody (“Like this be plastic shit. All scratched up and chipped”), but most everything about this vast, elusive, sometimes even illusory narrative shouts tour de force. Strangely, it works, though not without studied effort on the reader’s part.

And as for all the loose ends? No worries—there are 26 volumes to come in which to tie them up.”

 

Milan Kundera’s “Festival of Insignificance”

His first novel published in English in 13 years, Kundera infuses his latest novel with  the absurd. Some have called this book the culmination of his life’s work, but its strangeness and unseriousness seem to comment on the lack of humor and joy in our modern times. Lovers of “The Joke” will recognize this twist and irony in this tremendous author’s latest work.

From Publisher’s Weekly:

“After over a decade away from writing novels, Kundera (Ignorance) returns with this slight lark about four laissez-faire Parisians. In the tradition of existential comedies, the drama is in the dialogue. The four characters—Alain, Ramon, Charles, and Caliban—spend their days in Paris’s gardens, museums, and cafes, chatting and philosophizing. During a daytime stroll in Luxembourg Garden, Ramon bumps into a former colleague who, lying about having cancer, asks for Ramon’s help planning his birthday/death party. Similar to Kundera’s previous novels, the book uses levity and humor to comprehend the lasting effects of horrors perpetrated during World War II, though it’s set in the present. Much time is spent debating disparate, seemingly random issues: Stalin’s decision to rename a German town Kaliningrad, a marionette play that Charles imagines, a fake language Caliban invents for dinner parties. Although events converge at the party, nothing much actually happens. The four friends’ conversations are frivolous yet weighty, leaping from idle musings to grandiose declarations—from the sexual worth of a woman’s navel to the nature of motherhood, from Schopenhauer’s relationship to Kant to Stalin’s conquest of Eastern Europe. This novel is a fitting bookend to Kundera’s long career intersecting the absurd and the moral. It is also an argument for more books like it: “We’ve known for a long time that it was no longer possible to overturn this world, nor reshape it, nor head off its dangerous headlong rush. There’s been only one possible resistance: to not take it seriously.”

 

“Landmarks” by Robert Macfarlane

 From The Irish Times

“In his 1883 study Nature Near London Richard Jefferies has a vibrant passage enumerating all the wild flowers he encounters on a single roadside verge. Conspicuous among them are buttercups, cowslips and dandelions. The Jefferies passage is quoted late on by Robert Macfarlane in this compelling new study, Landmarks, and it ties in poignantly with a turn of events he has cited earlier.

These words, he tells us, along with others, such as ash, acorn, bluebell, otter, kingfisher and heron, were deliberately excised from the 2007 edition of the Oxford Junior Dictionary as being no longer relevant to children’s experience. It’s out with willow and heather and in with blog, broadband and chatroom. It isn’t, Macfarlane says, a case of either/or: both sets of nouns and what they signify have a place in the world of today. But life is unquestionably impoverished if you do away with bluebells, conkers, larks and other common words denoting nature and natural forces.

Landmarks is a book about words, among other things, words for features of the landscape, for ice and snow, for dusk, dawn, night and light. Each of its 11 chapters, with one exception, comes with a glossary containing words peculiar to regions of these islands, from Connemara to Carloway, on the Isle of Lewis: intriguing, expressive and eccentric words. (The exception is the final chapter, whose glossary is left blank to accommodate future coinages.)”

 

Thomas Pierce’s Hall of Small Mammals

I don’t know much about this author but his blend of the absurd and the absurdly mundane sounds just up by alley!

From Publisher’s Weekly:

“Pierce’s first short story collection is full of compulsively addictive and delightfully strange fare. Some of the 12 offerings are new, others are culled from the New Yorker, the Oxford American, and elsewhere; each takes a mundane experience and adds an element of the extra weird. In “Shirley Temple Three,” the opening, a mother begrudgingly agrees to hide a cloned prehistoric miniature woolly mammoth in her laundry room as a favor to her son, who is a reality show host. The protagonist of “The Real Alan Gass” becomes jealous when his girlfriend reveals that she’s happily married to another man in her dreams. “Videos of People Falling Down,” which is about just that, is a funny, yet quietly poignant interconnected series of vignettes that showcase characters at their most vulnerable. Echoing an old ghost story, the wicked “Saint Possy” shuttles a couple to their wits end as the skull of a dead possum (maybe) simultaneously haunts and taunts them. In “More Soon,” a dead man, quarantined and shipped around the world on a barge following a highly contagious infection, prompts his brother to contemplate where the soul resides. Pierce’s menagerie of colorful characters equally inspires and amuses. The book is expertly paced (there isn’t a dud in this eclectic bunch) and many of the stories’ endings—some sinister, some melancholic, others heartfelt—prompt momentary reflection, though thankfully not always in ways that are expected.”

 

“Get in Trouble” by Kelly Link

From Publisher’s Weekly

“These nine stories may begin in familiar territory—a birthday party, a theme park, a bar, a spaceship—but they quickly draw readers into an imaginative, disturbingly ominous world of realistic fantasy and unreal reality. Like Kafka hosting Saturday Night Live, Link mixes humor with existential dread. The first story, entitled “The Summer People,” in homage to Shirley Jackson, follows an Appalachian schoolgirl, abandoned by her moonshiner father, as she looks after a summer house occupied by mysterious beings. “I Can See Right Through You” features friends who, in their youth, were movie stars; now in middle age, she is the hostess and he is the guest star of a television show about hunting ghosts at a Florida nudist colony. “Origin Story” takes place in a deserted Land of Oz theme park; “Secret Identity” is set at a hotel where dentists and superheroes attend simultaneous conferences. Only in a Link story would you encounter Mann Man, a superhero with the powers of Thomas Mann, or visit a world with pools overrun by Disney mermaids. Details—a bruise-green sky, a Beretta dotted with Hello Kitty stickers—bring the unimaginable to unnerving life. Each carefully crafted tale forms its own pocket universe, at once ordinary (a teenage girl adores and resents her BFF) and bizarre (…therefore she tries to steal the BFF’s robot vampire boyfriend doll). Link’s characters, driven by yearning and obsession, not only get in trouble but seek trouble out—to spectacular effect.”

 

 

 

Staff & Patron Favorites, Winter 2015

 

PATRON SUGGESTIONS

A Bad Character / Deepti Kapoor

From Goodreads:
“She is twenty, restless in New Delhi. Her mother has died; her father has left for Singapore. He is a few years older, just back to India from New York.

When they meet in a café one afternoon, she—lonely, hungry for experience, yearning to break free of tradition—casts aside her fears and throws herself headlong into a love affair, one that takes her where she has never been before.

Told in a voice at once gritty and lyrical, mournful and frank, A Bad Character marks the arrival of an astonishingly gifted new writer. It is an unforgettable hymn to a dangerous, exhilarating city, and a portrait of desire and its consequences as timeless as it is universal. ”

 

In the Kingdom of Ice: The Grand and Terrible Polar Voyage of the USS Jeannette / Hampton Sides

“Are you someone who has always been fascinated by the story of Shackleton and The Endurance, but felt that the ending was just too damn happy? If so, I highly recommend reading this book.”

From Goodreads:
“In the late nineteenth century, people were obsessed by one of the last unmapped areas of the globe: the North Pole. No one knew what existed beyond the fortress of ice rimming the northern oceans, although theories abounded. The foremost cartographer in the world, a German named August Petermann, believed that warm currents sustained a verdant island at the top of the world. National glory would fall to whoever could plant his flag upon its shores.

James Gordon Bennett, the eccentric and stupendously wealthy owner of The New York Herald, had recently captured the world’s attention by dispatching Stanley to Africa to find Dr. Livingstone. Now he was keen to re-create that sensation on an even more epic scale. So he funded an official U.S. naval expedition to reach the Pole, choosing as its captain a young officer named George Washington De Long, who had gained fame for a rescue operation off the coast of Greenland. De Long led a team of 32 men deep into uncharted Arctic waters, carrying the aspirations of a young country burning to become a world power. On July 8, 1879, the USS Jeannette set sail from San Francisco to cheering crowds in the grip of “Arctic Fever.”

The ship sailed into uncharted seas, but soon was trapped in pack ice. Two years into the harrowing voyage, the hull was breached. Amid the rush of water and the shrieks of breaking wooden boards, the crew abandoned the ship. Less than an hour later, the Jeannette sank to the bottom,and the men found themselves marooned a thousand miles north of Siberia with only the barest supplies. Thus began their long march across the endless ice-a frozen hell in the most lonesome corner of the world. Facing everything from snow blindness and polar bears to ferocious storms and frosty labyrinths, the expedition battled madness and starvation as they desperately strove for survival.

With twists and turns worthy of a thriller, In The Kingdom of Ice is a spellbinding tale of heroism and determination in the most unforgiving territory on Earth.”

 

Maeve’s Times / Maeve Binchy

“Fascinating, what a gift she gave us with her writings!”
From Goodreads
‘As someone who fell off a chair not long ago trying to hear they what they were saying at the next table in a restaurant, I suppose I am obsessively interested in what some might consider the trivia of other people’s lives’

Maeve Binchy is well-known for her bestselling novels, the most recent of which was A Week In Winter. But for many years Maeve was a journalist, writing for The Irish Times.

From ‘The Student Train’ to ‘Plane Bores’, ‘Bathroom Joggers’ to ‘When Beckett met Binchy’, these articles have all the warmth, wit and humanity of her fiction. Arranged in decades, from the 1960s to the 2000s, and including Maeve’s first and last ever piece of writing for The Irish Times, the columns also give a fascinating insight into the author herself.

With an introduction written by her husband, the writer Gordon Snell, this collection of timeless writing reminds us of why the leading Irish writer was so universally loved.

 

STAFF SUGGESTIONS

~Lisa Murray~

“A woman writer goes to Athens in the height of summer to teach a writing course. Though her own circumstances remain indistinct, she becomes the audience to a chain of narratives, as the people she meets tell her one after another the stories of their lives.

Beginning with the neighbouring passenger on the flight out and his tales of fast boats and failed marriages, the storytellers talk of their loves and ambitions and pains, their anxieties, their perceptions and daily lives. In the stifling heat and noise of the city the sequence of voice begins to weave a complex human tapestry. The more they talk the more elliptical their listener becomes, as she shapes and directs their accounts until certain themes begin to emerge: the experience of loss, the nature of family life, the difficulty of intimacy and the mystery of creativity itself.

Outline is a novel about writing and talking, about self-effacement and self-expression, about the desire to create and the human art of self-portraiture in which that desire finds its universal form.” From Goodreads

 

“From personal loss to phantom diseases, The Empathy Exams is a bold and brilliant collection; winner of the Graywolf Press Nonfiction Prize.

Beginning with her experience as a medical actor who was paid to act out symptoms for medical students to diagnose, Leslie Jamison’s visceral and revealing essays ask essential questions about our basic understanding of others: How should we care about each other? How can we feel another’s pain, especially when pain can be assumed, distorted, or performed? Is empathy a tool by which to test or even grade each other? By confronting pain—real and imagined, her own and others’—Jamison uncovers a personal and cultural urgency to feel. She draws from her own experiences of illness and bodily injury to engage in an exploration that extends far beyond her life, spanning wide-ranging territory—from poverty tourism to phantom diseases, street violence to reality television, illness to incarceration—in its search for a kind of sight shaped by humility and grace.” From Goodreads

 

What we see when we read : a phenomenology ; with illustrations / Peter Mendelsund.

“A gorgeously unique, fully illustrated exploration into the phenomenology of reading-how we visualize images from reading works of literature, from one of our very best book jacket designers, himself a passionate reader.

What do we see when we read? Did Tolstoy really describe Anna Karenina? Did Melville ever really tell us what, exactly, Ishmael looked like?

The collection of fragmented images on a page – a graceful ear there, a stray curl, a hat positioned just so – and other clues and signifiers helps us to create an image of a character. But in fact our sense that we know a character intimately has little to do with our ability to concretely picture our beloved – or reviled – literary figures.

In this remarkable work of nonfiction, Knopf’s Associate Art Director Peter Mendelsund combines his profession, as an award-winning designer; his first career, as a classically trained pianist; and his first love, literature – he thinks of himself first, and foremost, as a reader – into what is sure to be one of the most provocative and unusual investigations into how we understand the act of reading.” From Goodreads

 

~Mary Anne Mead~

Remedy for Love / Bill Roorbach. 

“This title is on the shortlist for the Maine Readers Choice Award and he’s coming to the Library on July 8th to do a book talk. Liking it a lot!”

From Goodreads
“They’re calling it the “Storm of the Century,” so Eric stops at the market for provisions on his way home from work. But when the unkempt and seemingly unstable young woman in front of him in line comes up short on cash, a kind of old-school charity takes hold of his heart—twenty bucks and a ride home is the least he can do, right? Trouble is, Danielle doesn’t really have a home. She’s squatting in a cabin deep in the woods, no electricity, no heat, nothing but the nearby river to sustain her. She’ll need food, water, firewood, and that’s just to get her through the storm: there’s a whole Maine winter ahead.

So he gets her set up, departs with relief, climbs to the road, but his car has been towed with his phone inside, and the snow is coming down with historic speed and violence. There’s no choice but to return to the cabin. Danielle is terrified, then merely hostile—who is this guy with his big idea that it’s she who needs rescuing? As the snow keeps mounting, they’re forced to ride out the storm together. For better and for worse.

The Remedy for Love is a harrowing story about the truths we reveal when there is no time or space for artifice.

“The Remedy for Love is not the remedy for sleep deprivation. You’ll stay up all night . . . It is relentless and brilliant. Leave it to Roorbach to tease out the subtlest nuances in the progress of love while stoking a tale that is as gripping as any Everest expedition—and that is also tender and terrifying and funny and, in the end, so true it seems inevitable. I’m not sure there’s another American writing today who can lay down a love story, or any story, with the depth and appeal and freshness of Bill Roorbach.” -Peter Heller, author of The Dog Stars

 

All the Light We Cannot See / by Anthony Doerr

“Fantastic – every chapter like a poem – beautifully written.”

From Goodreads
Marie-Laure lives with her father in Paris near the Museum of Natural History, where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When Marie-Laure is twelve, the Nazis occupy Paris, and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great-uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel.

In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge.

 

First impressions : a novel of old books, unexpected love, and Jane Austen / by Charlie Lovett. 

“The title says it all.  It was a fun read – entertaining.”

From Goodreads
Charlie Lovett first delighted readers with his New York Times bestselling debut, The Bookman’s Tale. Now, Lovett weaves another brilliantly imagined mystery featuring one of English literature’s most popular and beloved authors: Jane Austen.

Book lover and Austen enthusiast Sophie Collingwood has recently taken a job at an antiquarian bookshop in London when two different customers request a copy of the same obscure book: the second edition of Little Book of Allegories by Richard Mansfield.  Their queries draw Sophie into a mystery that will cast doubt on the true authorship of Pride and Prejudice—and ultimately threaten Sophie’s life.

In a dual narrative that alternates between Sophie’s quest to uncover the truth—while choosing between two suitors—and a young Jane Austen’s touching friendship with the aging cleric Richard Mansfield, Lovett weaves a romantic, suspenseful, and utterly compelling novel about love in all its forms and the joys of a life lived in books.

 

~Candy Emlen~

In the Country of Men / by Hisham Matar

“In honor of the Muslim Journeys program I was reading In the Country of Men.The writing is beautiful, very lyrical.”

From Goodreads
“Libya, 1979. Nine-year-old Suleiman’s days are circumscribed by the narrow rituals of childhood: outings to the ruins surrounding Tripoli, games with friends played under the burning sun, exotic gifts from his father’s constant business trips abroad. But his nights have come to revolve around his mother’s increasingly disturbing bedside stories full of old family bitterness. And then one day Suleiman sees his father across the square of a busy marketplace, his face wrapped in a pair of dark sunglasses. Wasn’t he supposed to be away on business yet again? Why is he going into that strange building with the green shutters? Why did he lie? Suleiman is soon caught up in a world he cannot hope to understand-where the sound of the telephone ringing becomes a portent of grave danger; where his mother frantically burns his father’s cherished books; where a stranger full of sinister questions sits outside in a parked car all day; where his best friend’s father can disappear overnight, next to be seen publicly interrogated on state television.”

 

~Kate McMullin~

Shards of Honour / Lois Bujold McMaster (The Vorkosigan Saga: Book 1)

“Hooked on the Vorkosigan Series by Lois Bujold McMaster. Classic space science fiction with intelligent dialogue and intriguingly unpredictable protagonists. Trying to limit myself so I don’t wiz through them and miss out on interacting with family and friends as happens when I get hooked. In attempting to slow myself down on the series, I read 2 of the Curse of Chalion series also by Bujold. Medieval fantasy.”

From Goodreads
“In her first trial by fire, Cordelia Naismith captained a throwaway ship of the Betan Expeditionary Force on a mission to destroy an enemy armada. Discovering deception within deception, treachery within treachery, she was forced into a separate peace with her chief opponent, Lord Aral Vorkosigan – he who was called “The Butcher of Komarr” – and would consequently become an outcast on her own planet and the Lady Vorkosigan on his.

Sick of combat and betrayal, she was ready to settle down to a quiet life, interrupted only by the occasional ceremonial appearances required of the Lady Vorkosigan. But when the Emperor died, Aral became guardian of the infant heir to the imperial throne of Barrayar – and the target of high-tech assassins in a dynastic civil war that was reminscent of Earth’s Middle Ages, but fought with up-to-the-minute biowar technology. Neither Aral nor Cordelia guessed the part that their cell-damaged unborn would play in Barrayari’s bloody legacy.”

Dreams of Trespass: Tales of a Harem Girlhood / Fatema Mernissi

“A book that should be on the high school reading list. This is about her girlhood in a harem in Morocco in the 40s. Wow. No matter your thoughts on Islam, this is an amazing read for the context of female-female power struggle and political history of French and Spanish tug-of-war over Morocco.”

From Goodreads
”I was born in a harem in 1940 in Fez, Morocco…” So begins Fatima Mernissi in this exotic and rich narrative of a childhood behind the iron gates of a domestic harem. In Dreams of Trespass, Mernissi weaves her own memories with the dreams and memories of the women who surrounded her in the courtyard of her youth—women who, deprived of access to the world outside, recreated it from sheer imagination. Dreams of Trespass is the provocative story of a girl confronting the mysteries of time and place, gender and sex in the recent Muslim world.”

 

Spring 2014 Staff and Patron Recommendations

Patron Recommendations

“The Goldfinch” Donna Tartt

“The Goldfinch is a rarity that comes along perhaps half a dozen times per decade, a smartly written literary novel that connects with the heart as well as the mind….Donna Tartt has delivered an extraordinary work of fiction.”–Stephen King,

The New York Times Book Review Composed with the skills of a master, The Goldfinch is a haunted odyssey through present day America and a drama of enthralling force and acuity.

It begins with a boy. Theo Decker, a thirteen-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don’t know how to talk to him, and tormented above all by his unbearable longing for his mother, he clings to one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art.

As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love-and at the center of a narrowing, ever more dangerous circle.

The Goldfinch is a novel of shocking narrative energy and power. It combines unforgettably vivid characters, mesmerizing language, and breathtaking suspense, while plumbing with a philosopher’s calm the deepest mysteries of love, identity, and art. It is a beautiful, stay-up-all-night and tell-all-your-friends triumph, an old-fashioned story of loss and obsession, survival and self-invention, and the ruthless machinations of fate.

 

“The Fault in Our Stars” by John Green

Young Adult

Despite the tumor-shrinking medical miracle that has bought her a few years, Hazel has never been anything but terminal, her final chapter inscribed upon diagnosis. But when a gorgeous plot twist named Augustus Waters suddenly appears at Cancer Kid Support Group, Hazel’s story is about to be completely rewritten.

 

 

 

gallery

A patron checking out cookbooks the other day suggested I might enjoy the webpage for James Lileks’ “Gallery of Regrettable Food.” Once there I couldn’t stop laughing at the collections of cookbook images from the 70’s on down to the golden age of 1950’s cooking meets Kodachrome photography.

They’re not really recipe books. They’re ads for food companies, with every recipe using the company’s products, often in unexpected ways. (Hot day? Kids love a frosty Bacon Milkshake!) There’s not a single edible dish in the entire collection. The pictures in the books are ghastly – the Italian dishes look like a surgeon got a sneezing fit during an operation, and the queasy casseroles look like something on which the janitor dumps sawdust. But you have to enjoy the spirit behind the books – cheerful postwar perfect housewifery is taught in every book. Sure, you’ll fall short of the ideal. But what’s an ideal for if not to show up your shortcomings? Perhaps the main reason people buy these books is the Mom factor. At least that’s my excuse. They’re everyday relics of another time, my parents’ time, and this gives them a poignancy they do not deserve, and do nothing to earn. But I love them anyway.” ~http://www.lileks.com/

 

“TransAtlantic” by Colum McCann

A patron returned this books with overwhelming praise: “A fascinating story and very well told. The audio version was amazing!”

GoodReads says: “National Book Award-winning novelist Colum McCann delivers his most ambitious and beautiful novel yet, tying together a series of narratives that span 150 years and two continents in an outstanding act of literary bravura.

In 1845 a black American slave lands in Ireland to champion ideas of democracy and freedom, only to find a famine unfurling at his feet. In 1919, two brave young airmen emerge from the carnage of World War One to pilot the very first transatlantic flight from Newfoundland to the west of Ireland. And in 1998 an American senator criss-crosses the ocean in search of a lasting Irish peace. Bearing witness to these history-making moments of Frederick Douglass, John Alcock and “Teddy” Brown, and George Mitchell, and braiding the story together into one epic tale, are four generations of women from a matriarchal clan, beginning with Irish housemaid Lily Duggan. In this story of dark and light, men and women, history and past, fiction and fact, National Book Award-winning novelist Colum McCann delivers a tour de force that is his most spectacular achievement to date.”

Book Club Summer Review

I have been involved with a fabulous book group for the past 3 years or so. Our numbers wax and wane but at our recent meeting we had over a dozen members show up. Our theme was “What I Read Over the Summer” where we shared our reading lists, good, bad and ugly! While we weren’t wild about every single book we read, we did compile a great list that I thought I would share with our patrons.

   

 

  

 

 

Others include:

This Book is Full of Spiders: Seriously, Dude, Don’t Touch It by David Wong

Hamlet

Raymond Chandler detective novels

Swamplandia by Karen Russell

Ocean at the End of the Lane by Neil Gaiman

Graveyard Book.  by Neil Gaiman

Shadowlands by Kate Brains

Casual Vacancy by J.K. Rowlings.

The Cuckoo’s Calling, by Richard Galbraith

Flight Behavior by Barbara Kingsolver

Let’s Explore Diabetes with Owls by David Sedaris

Yellow Birds by Kevin Powers

Coroner’s Lunch by Colin Cotterill

Land More Kind Than Home by Wiley Cash

Devil in the White City by Erik Larson

Never Let Me Go, Kazuo Ishiguro

Flight Behavior by Barbara Kingsolver

Lacuna by Barbara Kingsolver

Prodigal Summer by Barbara Kingsolver

Poisonwood Bible by Barbara Kingsolver

Like the Willow Tree by Lois Lowry

Navigating Early by Clare Vanderpool

Moon Over Manifest by Clare Vanderpool

The Lighthouse Keeper by James Michael Pratt

Life by Keith Richards

Felicity Series by Valerie Tripp

The Beans of Egypt Maine by Carolyn Chute

Wash by Margaret Wrinkle

The Edge of the Earth by Christina Schwartz

Between the Lines by Jodi Picoult

50 Shades of Grey by E. L. James

The Twelve Tribes of Hattie by Ayana Mathis

The Hobbit by Tolkien

The Timekeeper by Mitch Albom

Wild by Cheryl Strayed

 

 

Fall Review: What did you read this summer?

Well, I didn’t quite get to all the books I said I would this summer. I have a tough time focusing on much more than swimming and boating when the weather is nice in Maine, but I did manage to finish a few titles. I asked the Library staff to send me their summer highlights as well.

 

Lisa Murray

The Ocean at the End of the Lane” by Neil Gaiman

Gaiman is one of my favorite authors and I was very excited to see he had published a new adult novella. I enjoyed it but felt like it didn’t quite measure up to my favorites like “American Gods” and “Neverwhere.” Nonetheless  I enjoyed immersing myself once again in Gaiman’s mix of reality and mythology. There really is not any author like him writing today!

 

 

 

 

Candy Emlen & Mary Ann Mead

ALand

A Land More Kind Than Home by Wily Cash

“Our Library has supported and promoted the Maine Choice Awards. I have read almost all of them and have loved everyone – for very different reasons. The book I read most recently over the summer was A Land More Kind Than Home by Wily Cash. It is his first novel, which is astonishing. It is beautifully written and the story unfolds at a delightful pace. You can feel the tension bubbling underneath and you hold your breath knowing it is about to burst. It isn’t a thriller in the traditional sense but it was a thrill to read. I was sorry when it was over; I hated to say good bye to the characters.” ~Candy

 

“My favorite book of the summer was A Land More Kind Than Home by Wiley Cash.  An
amazing book – and his first.  It’s gripping and touching and scary, all at the same
time.  The title is kind of misleading as most of the story is not kind at all, but it
works wonderfully and the author does a great job of finishing the book well – something
that doesn’t always happen.  I’m looking forward to his next book, This Dark Road to 
Mercy. ~Mary Anne

 

Library Patrons

 

Fangirl by Rainbow Rowell

“Just love the sort of book that makes you want to read it in the bath tub, but you love it so much you worry about ruining it. The sort of book that when you accidentally leave it behind during your daughter’s hair appointment, you drive after dark to retrieve it rather than spend the night bereft without it. The sort of book where you forget to eat dinner & your husband rescues you with a grilled cheese sandwich at 10:30 at night so you can keep reading. The sort of book that in the morning on a work day keeps you in your pajamas on the couch forgetting to drink your coffee. A book that gets bonus points for using reading aloud as effective courtship technique. I think I’ll just be late to school today…Fangirl by Rainbow Rowell. Didn’t think I’d like it at first. Love it when I’m wrong!”

From Amazon.com: “Fangirl is a coming-of-age novel that is smart, funny, and genuine. Fangirl takes place during Cather Avery’s first year of college, learning who she is when stripped down to just Cath–not the twins Cath & Wren and not Magicath, her fan fiction pen name.

Through all the changes, both difficult and thrilling, one part of her old life still makes as much sense in her dorm room as it did in her childhood bedroom–the Emergency Kanye Party. When the going gets tough in this story, the tough crank up Kanye West, sing out loud and dance until they feel better.”